“…and plays bass and guitar in Correspondences, an all lady-type-queer gay Baba Yaga Cello Doom trio.”
<3
Fuck nailpolish, let’s flag with corsages.
(via boredangry)
![mordicaifeed:
korovamilk:
INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
well fuck me gently with a chainsaw
This is the greatest Reddit thread ever.
This is right up there with finding out that The Moff put his own Dr who fanfic theories INTO DR WHO.](http://24.media.tumblr.com/tumblr_m4uw9gSZmJ1qz9qooo1_250.jpg)
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.
well fuck me gently with a chainsaw
This is the greatest Reddit thread ever.
This is right up there with finding out that The Moff put his own Dr who fanfic theories INTO DR WHO.
(via boredangry)
I’m violently stuffing the “void” in my life with cute “toys” :D
(via curiouserjane)
Just a late-night doodle! Curviness and colour schemes are so much fun.
Oh CUTIE!
(via deeplezstonerwitch)
CeCe Receives First Visitors Since Close of Trial
CeCe McDonald has received her first social visitors since a plea agreement ended her trial on Wednesday.Read the full article on PrettyQueer »
For more information visit Support CeCe!
(via brbnightmares)
BEING FEMME IS HAVING THE RESOLVE TO LOOK THE STRAIGHT WORLD IN THE EYE AND SAY “YOUR UNSOLICITED OPINIONS ABOUT MY APPEARANCE ARE MEANINGLESS TO ME.”
BEING FEMME IS NEVER HAVING TO SECOND GUESS A LOOK BECAUSE YOU KNOW YOU LOOK AMAZING BECAUSE YOU FEEL AMAZING AND THEY ARE ALMOST ALWAYS THE SAME THING.
BEING FEMME IS FUCK YOU FUCK YOU FUCK YOUYOU CAN’T EVEN TOUCH THIS AND YOU KNOW IT AND IT DRIVES YOU CRAZY AND I’M NOT EVEN SORRY!
“So, you’re… straight?”
NOPE! L8RZ.
(via deeplezstonerwitch)
Dennis/Charlie. Season 5, Episode 2: The Gang Hits the Road
my lesbian day the other day was kind of the best day of my life? we watched the coming out episode of ellen and k.d. lang and melissa etheridge were both in it!!!!!!!!!!!!!!!!!!! (!!!!!) oh my goddess!
Im downloading this RIGHT NOW because I haven’t seen it since it aired, but I DO refer to people as “more of a chapstick lesbian” from time to time and i’m p. sure this is where it came from? Also how did my mom not know i was a gaywad, I RESERVED THE FAMILY TELEVISION to watch this.
Wait. How did *I* not know I was a gaywad?
